T Armstrong | A PASSER-BY
London Philharmonic Orchestra/Paul Daniel |
Chandos
CHAN9657 |
C P E Bach | DIE AUFERSTEHUNG UND HIMMELFAHRT JESU Rheinische Kantorei/H. Max |
Capriccio
10 206/7 |
C P E Bach | DIE ISRAELITEN IN DIE WÜSTE – MOSES Capella Coloniensis/W. Christie |
Harmonia Mundi
HMA 190 231 |
J S Bach | ASCENSION CANTATAS Nos 11/294b, 37, 43 & 128 Monteverdi Choir/English Baroque Soloists/Gardiner |
Archiv Produktion
463 583 – 2AH |
J S Bach | FUNERAL CANTATAS Nos 106, 118, 198 Monteverdi Choir/English Baroque Soloists/Gardiner |
Archiv Produktion
463 581– 2AH |
J S Bach | CANTATAS Nos 4, 6, 31, 66, 134, 145 Monteverdi Choir/English Baroque Soloists/Gardiner |
Soli Deo Gloria
Vol 22 SDG 128 |
J S Bach | CANTATAS Nos 108, 117, 166 Monteverdi Choir/English Baroque Soloists/Gardiner |
Soli Deo Gloria
Vol 24 SDG 107 |
J S Bach | CANTATAS
Das Kleine Konzert/Max |
Carus-Verlag
Carus 63.117 |
J S Bach | CANTATAS Nos 72, 73, 111, 156 Monteverdi Choi/English Baroque Soloists/Gadiner |
Archiv Produktion
463 582 – 2AH |
J S Bach | CANTATAS Nos 131, 152, 161
The Theatre of Early Music |
ATMA Classique
ACD2 2279 |
J S Bach | CANTATAS Nos 4 & 131 Monteverdi Choir/Gardiner |
Erato
2292 45988-2 |
J S Bach | CANTATAS Nos 140 & 147 Monteverdi Choir/Gardiner |
Archiv
431 809-2AH |
J S Bach | CANTATAS Nos 106, 118B, 198 Monteverdi Choir/Gardiner |
Archiv
429 782 – 2AH |
J S Bach | CANTATAS Nos 212 & 211 / Mass in A, Mass in G Basle Madrigalists/H M Linde |
EMI
CZS7 67552-2 |
J S Bach | BACH – CHORAL WORKS
Monteverdi Ch/London Oratory Ch/J E Gardiner |
DEUT
469 769-2X9 |
J S Bach | FAMOUS CHORUSES
Monteverdi Ch/Gardiner |
ARCH
439 885-2AH |
J S Bach | MAGNIFICAT
Collegium Musicum 90/Hickox |
Chandos
CHAN0518 |
J S Bach | MASS IN B MINOR
Monteverdi Choir/Gardiner |
Archiv
415 514-2AH2 / 415 514 – 4AH2 |
J S Bach | MASS IN B MINOR
CM 90/Hickox |
Chandos
CHAN0533/4 |
J S Bach | ST JOHN PASSION
Choir of King's College/Cleobury |
Columns Classics
290241 |
J S Bach | ST JOHN PASSION
Monteverdi Choir/Gardiner |
Archiv
419 324 – 2 AH2 / 419 324 – 4AH2 |
J S Bach | ST MATTHEW PASSION
Goodwin |
United
89301 |
Bach Family | CANTATAS
Musica Antiqua Köln/Goebbel |
Archiv
419 253 2 |
Erik Bergman | CHORAL WORKS
New London Chamber Choir/J. Wood |
Chandos
CHAN8478 |
Beethoven | BEETHOVEN
Mass in C, Op 86. CM90/Richard Hickox |
Chandos
CHAN0703 |
Blow | ANTHEMS Parley of Instruments/Winchester Cathedral Choir/Hill |
Hyperion
CDA 67031/2 |
Blow | VENUS AND ADONIS – ADONIS London Baroque/C Medlam |
Harmonia Mundi
HMA 190 1276 |
Boyce | THE SECULAR MASQUE – JANUS The Hanover Band/The Choir of New College |
ASV Gaudeamus
CD GAU176 |
Bridge | SONGS
Christopher Cox |
Pearl
SHE 577 |
Britten | CANTATA MISERICORDIUM
CLS/Hickox |
Chandos
CHAN8997 |
Britten | KING ARTHUR/WORLD OF THE SPIRIT BBC Philharmonic Orchestra/Hickox |
Chandos
CHAN9487 |
Bruckner | MASS IN E MINOR
London Schutz Choir/Norrington |
Decca
430 365-2 |
Bruckner | CHORAL WORKS
St John’s College Choir/G Guest |
Decca
455 035-2DF2 |
Geoffrey Bush | 4 SONGS FROM THE HESPERIDES
CLS/Hickox |
Chandos
CHAN8864 |
Campra | MESSA DE REQUIEM
Paris Chapelle Royale/Herreweghe |
Harmonia Mundi
HMC90 1251 |
Carissimi | JONAS / JUDICIUM EXTREMUM
Monteverdi Choir/Gardiner |
Erato
2292 45466-2 |
Chabrier | CHABRIER – MUSIQUE ADORABLE
F Lott/G Johnson/W Burden/G McGreevy/T |
Hyperion
CDA67133/4 |
Charpentier | VESPERS
Peter Seymour |
No details |
Croft | MUSIC FOR CROFT
John Holloway |
National Trust
NT 005 |
Delius | A VILLAGE ROMEO & JULIET
Meredith Davies |
No details |
Fauré | REQUIEM
CLS & Cambridge Singers/J. Rutter |
Collegium
COLCD 109 |
Fauré | THE COMPLETE SONGS – VOL 1 Graham Johnson |
Hyperion
CDA 67333 |
Fauré | THE COMPLETE SONGS – VOL 2 Graham Johnson |
Hyperion
CDA 67334 |
Fauré | THE COMPLETE SONGS – VOL 3 Graham Johnson |
Hyperion
CDA 67335 |
Fauré | THE COMPLETE SONGS – VOL 4 Graham Johnson |
Hyperion
CDA 67336 |
Finzi | REQUIEM DA CAMERA
CLS/Hickox |
Chandos
Chan8997 |
Finzi | SONGS CYCLES TO WORDS BY THOMAS HARDY
Clifford Benson |
Hyperion
CDA 66161/2 |
Gibbons | ANTHEMS AND VERSE ANTHEMS
Winchester Cathedral Choir/Hill |
Hyperion
CDA 67116 |
Gibbs | ARMSTRONG GIBBS – SONGS R Vignoles/GMcGreevy |
HYPE
CDA67337 |
Grainger | SONGS VOL 2
Penelope Thwaites |
Chandos
CHAN9503 |
Grainger | SONGS VOL 3
City of London Sinfonia/Richard Hickox |
Chandos
CHAN9499 |
Grainger | SONGS VOL 5
City of London Sinfonia/Richard Hickox |
Chandos
CHAN 9554 |
Grainger | SONGS VOL 9
City of London Sinfonia/Richard Hichox |
Chandos
CHAN9653 |
Grainger | SONGS VOL 12
John Lavender |
Chandos
CHAN9730 |
Grainger | SONGS VOL 14
Academy of St Martin's in the Fields |
Chandos
CHAN9819 |
Graupner | OVERTURES IN D & G
Das Kleine Konzert /Hermann Max |
CPO
CPO999 592 |
Gurney | THE WESTERN PLAYLAND Song Cycle Delmé String Quartet/I. Burnside |
Hyperion
CDA 66385 |
Hahn | SONGS
Graham Johnson |
Hyperion
CDA67141/2 |
Handel | ALEXANDER'S FEAST – Ode for St Cecilia's Day (exerpts) Monteverdi Choi/Gardiner |
Philips
PHIL (2) 422 053-2PH2 |
Handel | ALESSANDRO
Petite Bande/S Kuijken |
DHM
GD77110 |
Handel | ALEXANDER'S FEAST
Monteverdi Choir/Gardiner |
Philips
422 053-2PH2 |
Handel | L'ALLEGRO, IL PENSEROSO ED IL MODERATO
Monteverdi Choir/Gardiner |
Erato
2292-45377-2 |
Handel | DETTINGEN TE DEUM
Preston |
No details |
Handel | ISRAEL IN EGYPT, HWV54; THE WAYS OF ZION DO MOURN, HWV264. Montiverdi Choir and Orchestra / English |
Warner Classics
2564 61757-2 |
Handel | ISRAEL IN EGYPT
Monteverdi Choir/Gardiner |
Erato
2292-45399-2 |
Handel | ISRAEL IN EGYPT
Choir of Kings College/Brandenburg Consort/Stephen |
Decca
452-295-2DH2 |
Handel | JEPHTHA
Maulbronn/Budday |
K & K VerlagLC 04457 |
Handel | JEPHTHA
Monteverdi Choir/Gardiner |
Philips
422 351-2PH3 |
Handel | JEPHTHA
Klosterkonzerte Baroque Orchestra/Budday |
K&K
LC04457 |
Handel | PARTENOPE Petite Bande/S. Kuijken |
DHM
GD77109 |
Handel | SOLOMON
Monteverdi Choir/Gardiner |
Philips
412 612-2PH2 |
Handel | THE TRIUMPH OF TIME & TRUTH
London Handel Orchestra/ D. Darlow |
Hyperion
CDA 66071/2 |
Handel/Mozart |
MESSIAHLa Grande Ecurie/Malgoire |
Astrée
E 8509 |
Haydn | GREAT ORGAN MASS
Collegium Musicum 90/Richard Hickox |
Chandos
CHAN0674 |
Haydn | HARMONIEMESSE
CM90/Richard Hickox |
Chandos
CHAN0612 |
Haydn | L'INFEDELTA DELUSA –
NANNI La Petite Bande/Kuijken |
Harmonia Mundi
RD 77099 |
Haydn | MASSES 1 & 11. AVE REGINA
CM90/Richard Hickox |
Chandos
CHAN0640 |
Haydn | MISSA CELLENSIS
CM90/Hickox |
Chandos
CHAN0667 |
Haydn | MASSES 6 & 9
CM90/Richard Hickox |
Chandos
CHAN0645 |
Haydn | PAUKENMESSE
CM90/Richard Hickox |
Chandos
CHAN0633 |
Haydn | SCHÖPFUNGSMESSE
CM 90/Richard Hickox |
Chandos
CHAN0599 |
Haydn | THERESIENMESSE
CM 90/Richard Hickox |
Chandos
CHAN0592 |
Holst | SÁVITRI
Richard Hickox |
Hyperion
CDA 66099 |
Homilius | CANTATA
Das Kleine Konzert/Max |
Capriccio
10 557 |
Hummel | MASS NO. 2 IN E FLAT, OP. 80; TE DEUM; QUOD IN ORBE, OP. 88 Collegium Musicum 90/ Hickox |
Chandos
CHAN0712 |
Jeffreys | A MUSICK STRANGE
UEA Singers/Peter Aston |
Merlin
MRFD95802 |
Lalande | GRAND MOTETS
New College Choir/King's Consort/E. Higginbottom |
Erato
2292-45014-2 |
Mondonville | MOTETS
London Baroque/E. Higginbottom |
Hyperion
CDA 66269 |
Monteverdi | ORFEO
London Baroque |
Electrola |
Mozart | THE COMPLETE MOZART EDITION Volume 22 – Grabmusik – cantata K42a/K35a Stuttgart Radio Symphony Orchestra/Neville |
Philips 422 522-2PME6 |
Mozart | WAISENHAUSMESSE IN C MINOR K139
Collegium Aureum/H. Henning |
DHM
VD77 588 |
Musgrave | THE FALL OF NARCISUS
English Serenata/V Soames Samek |
Clarinet Classics
CC0039 |
Osborne | I AM GOYA
CLS/Hickox |
Unicorn
DKP 9031 |
Parry | SONGS
Clifford Benson |
Hyperion
CDA 67044 |
Ponchielli | LA GIOCONDA – SINGER
National Philharmonic Orchestra/Bartoletti |
Decca
414 3492DH3 |
Purcell | ANTHEMS – O GOD, THE KING OF GLORY
Collegium Instrumentale Brugense/Peire |
Eufoda
EUF1329 |
Purcell | COMPLETE ANTHEMS & SERVICES Volume 4 The King's Consort/Robert King |
Hyperion
CDA 66644 |
Purcell | DIDO AND AENEAS –
AENEAS The English Concert/Pinnock REISSUE |
Archiv
427624-2AH 474 672-2 |
Purcell | ENGLAND, MY ENGLAND
Monteverdi Choir/English Baroque Soloists/Gardiner |
Erato
0630-10700-2 |
Purcell | THE FAIRY QUEEN
Monteverdi Choir/Gardiner |
Archiv
419 221-2AH2 |
Purcell | HAIL, BRIGHT CECILIA
Monteverdi Choir/Gardiner |
Erato
2292 45187-2 |
Purcell | THE INDIAN QUEEN –
ISMERON Monteverdi Choir/Gardiner |
Erato
2292 45556-2 |
Purcell | KING ARTHUR
Monteverdi Choir/Gardiner |
Eratoef
2292 45211-2 |
Purcell | THE TEMPEST – ISMERON
Monteverdi Choir/Gardiner |
Erato
2292 4555-2 |
Purcell | TIMON OF ATHENS
Monteverdi Choir/Gardiner |
Erato
2292 45327-2 |
Purcell | PURCELL – OPERA AND CHORAL WORKS
Eng Concert/Hamburg Monteverdi Ch/EBS/Christchurch |
DEUT
439 474-2GCL |
Purcell | THE PURCELL COLLECTION
J E Gardiner |
ERAT
4509-96371-2 |
Purcell | MUSIC FOR QUEEN MARY etc
Various Artist/Monteverdi Choir/J E Gardiner |
TELD
8573 88044-2 |
Rameau | LES BORÉADES – APOLLO Monteverdi/Gardiner |
Erato |
Rameau | MOTETS
Paris Chapelle Royale Orchestra/Herreweghe |
Harmonia Mundi
HMC90 1078 |
Rubbra | ADVENT CANTATA & 4 MEDIEVAL LATIN LYRICS CLS/Hickox |
Chandos
CHAN9847 |
Rutter | CHRISTMAS DAY IN THE MORNING
CLS/Rutter |
Collegium
COLCD 121 |
Scarlatti | DIXIT DOMINUS 11
The English Concert/Pinnock |
Archiv
423 386-2AH |
Schoenberg | SERENADE Op. 24
The 20th Century Classics Ensemble/Craft |
Koch
37263-2 |
Schubert | COMPLETE LIEDER
Volume 2 Graham Johnson |
Hyperion
CDJ 33032 |
Schubert | SCHUBERT EDITION SAMPLER
Various Artists |
HYPE
HYP200 |
Schubert | LIEDER VOL 32
Johnson |
Hyperion
CDJ 33032 |
Schubert | LIEDER, VOL. 33
London Schubert Chorale/Layton |
Hyperion
CDJ 33033 |
Schütz | SYMPHONIAE SACRAE
Purcell Quartet/Richard Boothby |
Chandos
CHAN0566/7 |
Stanford | BIBLE SONGS
Ian Watson |
Chandos/ T
CHAN9548 |
Stanford | STABAT MATER
BBC Phil/Hickox |
Chandos/T
CHAN9548 |
Stanford | SONGS VOL. 1
Clifford Benson – Piano |
Hyperion
CDA 67123 |
Stanford | SONGS VOL. 2
Clifford Benson – Piano |
Hyperion
CDA 67124 |
R Strauss | DEUTSCHE MOTETTE
London Schutz Choir/Norrington |
Decca
430 365-2DM |
Stravinsky | ABRAHAM & ISAAC
The Orchestra of St. Luke’s/Robert |
Music Masters
01612-67158-2 |
Tavener | BEYOND THE VEIL | NVC Arts
39842391-3 |
Tavener | MARY OF EGYPT – ZOSSIMA Aldeburgh Festival Ensemble/Lionel Friend |
Collins
7023-2 |
Telemann | CHORAL MUSIC
Kleine Konzert/H. Max |
Capriccio
10 315 |
Telemann | DIE TAGESZEITEN
Das Kleine Konzert/Max |
Capriccio
10 319 |
J Theile | ST MATTHEW PASSION
London Baroque/Charles Medlam |
Harmonia Mundi
HMA90 1159 |
Thwaites | RIDE, RIDE | No details |
Vaughan Williams | SIR JOHN IN LOVE
Meredith Davies |
No details |
Vaughan Williams | SIR JOHN IN LOVE
Northern Sinfonia/Hickox |
Chandos
CHAN9928(2). |
Weckmann | SACRED CONCERTOS
Purcell Quartet |
Chandos
CHAN0646 |
SS Wesley | ANTHEMS
York Cathedral Choir/Moore |
Guild
GMCD 7201 |
Vivaldi | GLORIA
Collegium Musicum 90/Hickox |
Chandos
CHAN0518 |
Vivaldi | VESPERS
La Grande Ecurie/Malgoire |
Astrée
E 8520 |
Various | CLASSIC SEASONS-WINTER
Various Artists |
HMV
HMVS 74244-2 |
Various | ENGLISH ORCHESTRAL SONGS:
City of London Sinfonia/Hickox |
Chandos
CHAN 8743 |
Various | HARK! HARK! THE LARK Music for Shakespeare’s Company The Parley of Instruments/Peter Holman |
Hyperion
CDA 66836 |
Various | LA PROCESSION: Eighty Years of French Song Graham Johnson |
Hyperion
CDA 66248 |
Various | WAR'S EMBERS: Songs by Browne, Butterworth, Farrar, Finzi, Gurney, Kelly Clifford Benson |
Hyperion
CDA 66261/2 |
Various | RUTTER – CAROLS FROM CLARE
Cambridge Clare College Choir/Rutter |
HMV
HMV572340-2 |
Various | CAROLS FROM KINGS
King's College Choir/D Willcocks |
HMV
HMV572341-2 |
Various | HISTORY OF BAROQUE MUSIC – SECULAR MUSIC Various Artists |
HARM
HMX22958001/5 |
Various | OPERA BAROQUE – HIGHLIGHTS
Concerto Vocale/Réné Jacobs |
Harmonia Mundi
HMX290 605/7 |
Various | RELAX WITH BAROQUE
Various Artists |
ERAT
8753-81631-2 |
Various | MUSIC OF THE CHAPELS ROYAL
Monteverdi Ch/EBS/J E Gardiner |
ERAT
0927443522 |
Various | OLDE ENGLISH MADRIGALS
Cambridge Singers/Rutter |
American Grammaphone
AG 500. |
Various | CAROLS FROM KING'S
King's College Choir/Willcocks |
EMI
CDM 7631792 |
Various | THE VERSATILITY OF THE SCHOLARS
The Scholars |
Unicorn
UNS 254 |
March 2007 |
Press Quotes
Concerts
“serene baritone” (St Matthew Passion, Brooklyn Academy of Music) – New York Times
“le baryton Stephen Varcoe s’est toutefois attire ma sympathie, ne serait-ce que parce qu’il était le seul a chanter de mémoire. Sa voix, tellement souple, pouvait parfois acquérir une incroyable légèreté.” (Bach’s St Matthew Passion, Les Violons du Roy) – Le Soleil, Québec
“It was Stephen Varcoe’s impressive-sounding bass-baritone that really stood out among the rest.” (Bach’s St Matthew Passion, NZ Chamber Orchestra)– New Zealand Herald
“Varcoe’s singing as Apollo was brave and touching.” (Handel’s Apollo and Daphne, St Paul Chamber Orchestra) – St Paul Pioneer Press, Minnesota
“Best of all was Stephen Varcoe’s hell-and-fire Pluto, who sang as if he meant every word, without deviating from impeccable period manners.” (Peri’s Euridice, Drottningholm) – Opera
“Varcoe demonstrated a fine sensitivity for the shape of the songs, and his superbly expressive voice, tuned to every nuance of so many rich numbers, projected strongly into every corner of St Johns.” (Percy Grainger Recital, St Johns, Smith Square) – British Music Society News
‘Stephen Varcoe – surely one of this country’s finest executants of English song’ – Jeremy Dibble (from his biography of Stanford)
Teaching
A few years ago, Stephen was invited to become a professor at the Royal College of Music in London, where he now leads classes in Performance Technique and in English Song, as well as individual coaching, and is becoming well known for his inspiring lectures and masterclasses. He has given series of seminars at the University of York on Performance, teaches at the Summer Schools in Dartington and Hereford, and gives masterclasses at festivals, colleges and schools around the country. Earlier this year he travelled to Vancouver for a week of English Song classes, and he has just returned from Jerusalem where he was involved in giving a week of Baroque music classes.
Singing Workshops with Stephen Varcoe at Ansells Farm
As an extension of Stephen’s teaching practice, he now runs a series of song workshops at his house in Essex. In a relaxed, informal setting he brings together his own mission to introduce every singer to the joys of the song repertoire and his flair for encouraging inexperienced or less confident solo singers. In recent months workshops have covered such topics as English & American Song, Schumann and Brahms, La France Profonde, Celebrating Mozart and Schubert, Wolf & Brahms. The group (a maximum of eight participants) is drawn from students of singing, enthusiastic amateurs, choral singers, teachers or semi-professionals, of all ages and abilities. The only qualifications necessary are a love of song and an enthusiasm for sharing ideas and interpretations in a friendly, positive atmosphere.
We have been running our very successful Song Days here for several years now, and underpinning the whole venture is the fact that Stephen is a world-famous baritone, whose expertise and experience in the field of song is second to none – he has made over 150 recordings, and is widely acknowledged to be one of the foremost recitalists of the age.
Forthcoming Workshops include :-
Future dates are still to be decided, but will be posted in due course.
If you are interested in taking part in the workshops, would like more information, or if you would like us to add you to the mailing list for future classes, please contact us: stephen@varcoe.com or 01787 269570
The Song Day begins at 10 am, and ends at 5 pm or later, with breaks for coffee, tea and homemade cakes; at lunchtime everyone enjoys a two-course meal (with wine) prepared by Melinda – this is all included in the price. The winning combination of stimulating teaching and learning, delicious food and glorious music in a beautiful rural setting seems to work miracles! Each performer gets at least two chances to sing, (perhaps more, depending on numbers and time), and during the course of the day people invariably make new friends, catch up with old ones, find fresh inspiration and gain greater confidence to explore repertoire which might have been unfamiliar or daunting.
An experienced accompanist is provided, or singers may bring their own for an extra charge (£25). The cost is £95, with a deposit of £20 payable in advance (non-returnable unless the organisers have to cancel).
Here are a few comments taken either from our guestbook for the days, or from an article in Classical Music magazine in 2004 about the classes:-
“Above all, it was Stephen’s relaxed, engaging manner and good humour, coupled with a passion for sharing his skills and knowledge, that sent me away on a high, buzzing with new ideas.”
“A thousand thanks for a magnificent day of musical joy and instruction”
“…a wonderful day of Kunst and Genüss!”
“The atmosphere was as relaxed as it could possibly be in a performance context…the transformation of one absolute beginner in particular was inspiring.”
“Absolutely wonderful – and so is the food and drink!”
“Comments can be expressed more directly than in a larger setting, and it’s easier for individual singers to get feedback over things that concern them.”
“ I’ve learnt more about song in these classes with Stephen than in all the previous thirty years.”
“The consistency of the chocolate brownies merits special mention!”…
Recitals & Lectures
Stephen is well known for the imaginative nature of his recitals, and he has often been called upon to create programmes for special occasions or with specific themes in mind. As a regular performer with Graham Johnson’s Songmakers Almanac, he saw at first hand how the traditional form of the song recital could be greatly enhanced and even superseded by giving it a thematic focus.
When a concert promoter asks for a programme, it is often part of a celebration of some kind, in which case the subject-matter is already defined. Recent commemorations have been the Mozart bicentenary, the Schumann sesquicentenary and the fiftieth anniversary of Finzi’s death, for all of which Stephen has created special programmes. For example, the Mozart included works by his son, Franz Xaver, and his British friends and colleagues, Linley, Attwood and Storace.
A programme for a symposium on Stanford included works by his friends and his pupils, offering scope for a wide variety of musical styles. Another on music in nineteenth century Britain not only explored little-known works by Wesley, Pinto, Sterndale Bennett and other English composers, but included works in English by foreign composers such as Mendelssohn and Gounod. Yet another was created to complement an exhibition of the work of Picabia, the Dadaist painter. This included the music of Durey, Debussy, Ravel, Satie and Poulenc.
At the Royal College of Music on March 12th 2008 he helped devise a student programme for the celebration of the work of Sir William Sterndale Bennett. The songs presented were examples of the English Romantic school interspersed with the great German Romantics, Schumann and Mendelssohn.
One of the features of Stephen’s recitals is the relaxed and informal quality of his presentation, which always involves spoken introductions, and often includes readings of poetry or prose-extracts. A particularly powerful example is his programme of songs and poems written during wartime. For the Thomas Hardy Society he has now created three different programmes based on Hardy’s writings, involving the poetry, the music which he knew and the music which his poetry has inspired. Similarly, for celebrations of the life of A E Housman he devised a sequence of songs and readings from A Shropshire Lad. For the Peter Warlock Society he has given a lecture recital on the life of the composer, illustrated by his songs.
Apart from concerts involving the modern piano, Stephen has worked for many years with Peter Seymour on the fortepiano, and together they have explored the early Lieder repertoire of Zelter, Reichardt and Zumsteeg, and given many performances of Schubert’s Die schöne Müllerin and Winterreise. One of their recurring themes is the development of the Lied from its early beginnings to the works of Schubert and Schumann, and they have devised programmes of comparative settings of Goethe, of ballad settings, and of dialogue songs.
Stephen
STEPHEN VARCOE is one of Britain’s most distinguished baritones, especially acclaimed in the field of Baroque music and in the song repertoire. He has made about 150 recordings, collaborating with John Eliot Gardiner for Philips, Erato and DG Archiv on discs of Purcell, Handel and Bach, and has joined Richard Hickox for numerous releases of Haydn, Beethoven, Vaughan Williams, Grainger and Britten on Chandos. His musically fruitful relationship with Hyperion Records has produced many fine recital discs, from the romantic and sensuous French songs of Hahn, Chabrier and Fauré with Graham Johnson to the quintessentially English Finzi, Gurney, Parry, Stanford and Armstrong Gibbs with Clifford Benson and Roger Vignoles. With Graham Johnson, Stephen was the second artist after Dame Janet Baker to be invited to interpret Schubert for the celebrated complete Hyperion series. His versatility also encompasses recordings of twentieth century works by Stravinsky, Schoenberg, Nigel Osborne, Thea Musgrave and John Tavener.
On the concert platform, in a career spanning more than three decades, Stephen has appeared with orchestras all over the world. Highlights include Stravinsky’s Abraham and Isaac in New York with Robert Craft, Stravinsky’s Threni in London with Rozhdestvensky, Holst’s Savitri in Amsterdam with Hickox, C P E Bach’s Die Israeliten in der Wüste in Cologne with Christie, Bach’s Mass in B Minor in Italy with Rifkin, Haydn’s Creation in Lisbon with Brüggen, Handel’s Apollo and Daphne in Versailles with Minkowski, the centenary performance of Fauré’s Requiem in Paris with Tortelier, and the fortieth anniversary performance of Britten’s War Requiem in Coventry with Cleobury. He has regularly taken part in the BBC Proms and international festivals, and appeared in recital with some of our finest accompanists, particularly Graham Johnson, Iain Burnside, Julius Drake and Roger Vignoles.
His operatic appearances include Haydn’s L’Infedelta Delusa in Antwerp with Kuijken, Debussy’s Fall Of The House Of Usher in Lisbon and London, Tavener’s Mary Of Egypt in Snape, Rameau’s Les Boréades in Aix and Lyon with John Eliot Gardiner, Peri’s Euridice for Drottningholm, and Monteverdi’s Orfeo in Japan. His repertoire also includes Death in Holst’s Savitri, Demetrius in Britten’s A Midsummer Night’s Dream and Salieri in Rimsky Korsakov’s Mozart & Salieri. In 2006 he was heard in a BBC broadcast of Malcolm Arnold’s hitherto unperformed opera The Dancing Master. Stephen was in the original cast for Jonathan Miller’s ground-breaking staging of Bach’s St Matthew Passion and its subsequent television production, and revivals in the USA.